In Last House Standing, Mr. Jiang has watched over Shanghai through the years. As a young tomboyish lodger staying at his soon-to-be-demolished house questions him, his remarkable life gradually unfolds. In Innocent, the director first found out about her aunt's suicide at the funeral. Discovering the truth by reading between the lines of relatives' testimonies, a sense of stagnation in Singapore seeps through.

As he travels with his mother to her home village, the director, at the height of his youth, records his mother’s childhood recollections of the Cultural Revolution.

The very first of its kind in China, this human drama of love and marriage revolves around deaf women and men. Their vibrant exchange in sign language creates a dynamism faster than sonic velocity.